top of page
SIO Logo_2024 Final.png

SIO: The Official Newsletter of NOA's Sacred in Opera Initiative

The August Issue

A Welcome Note from Dr. Casey Robards

Dear Opera lovers,

Please enjoy our Summer 2024 issue of the Sacred in Opera Newsletter!

On behalf of the entire Sacred in Opera Committee, I am delighted to bring you conference recaps from our SIO breakout sessions at the 2023 and 2024 National conferences. In 2023 we presented several operas with Islamic themes, characters and histories and discussed some of the challenges and opportunities these works present, as detailed in this issue by Dr. Kurt-Alexander Zeller. Dr. Jon Truitt summarizes our 2024 presentation in which we discussed the importance of pursuing audience growth via community engagement. Performing arts organizations continue to recover from the worldwide pandemic and face questions regarding tradition vs. innovation as we also grapple with how to welcome more demographics to all facets of our performances. Follow up articles by Ruth Dobson and Dr. Jeffrey Springer provide repertoire suggestions and ideas related to partnerships between opera communities and communities of worship.

 

One of my favorite things about our gathering at the 2024 National Conference in Tempe, AZ was a session devoted to several composers and librettists sharing their work. In this vein, Ruth Dobson, Kelley Nassief and I highlight several composers and librettists in this issue: Timothy Amukele, B.E. Boykin, Jarrod Lee, Paul Richards, Wendy Steiner, and Bruce Trinkley.

​

Personally, I have been involved in a late summer opera production and have gathered nightly with a few cast members and our host family to watch the Olympics. I’m reminded that behind the elation of every breathtaking medal performance is a litany of individual and team efforts: sacrifice, training, planning, vision, drive, resilience, resources, equipment, experts, and skills honed through countless hours of repetition, adjustments, and sheer willpower. Sound familiar?

As we approach upcoming production seasons and academic semesters, my wish is that you find inspiration and support when most needed and have a team of believers and supporters contributing to a beautiful vision.

The invitation is always open if you wish to join our committee presentations at the National conferences, or want to submit articles (or ideas) for this newsletter. We need writers, editors, interviewers, and researchers. We welcome those who wish to sing or talk/lecture for our presentations also. We will be featuring music of Lori Laitman/Leah Lax, Anthony Plog/Ronald J. Kidd and Bruce Trinkley/Jason Charnesky at the 2025 conference in Savannah.

​

Warm regards,

Dr. Casey Robards

Chair, Sacred in Opera Initiative

The Articles

Candle light diner _edited_edited.jpg

Review:

A Braided Light

Kelley Nassief's look at the 2024 Finalist for the Dominic Argento

Chamber Opera Competition.

Composing Music_edited_edited.jpg

An Interview

with Bruce Trinkley

Ruth Dobson's spotlight on

the sacred theatrical

works of Bruce Trinkley.

two human hands painting_edited_edited.j

Con Grazia

Jeffrey Springer's Top 7 Reasons

Why Opera Companies & Houses of Worship should collaborate.

Abstract Glow_edited.jpg

under

30

30

Ruth Dobson's list of 30 sacred works with small casts, suitable

for academic settings & beyond.

Graphic Chart_edited.jpg

Sounds & Stories: SIO

in Review

Jon Truitt's review of the SIO Committee presentation at the

2024 NOA Conference.

Tim+piano+2_edited.jpg

Lee, Boykin, and Amukele

Casey Robards' spotlight on librettist Jarrod Lee & composers B.E. Boykin & Timothy Amukele.

Marble Mosque_edited_edited.jpg

Our Future Together: SIO in Review

Kurt-Alexander Zeller's review of the SIO Committee presentation at the 2023 NOA Conference.

Discover more about the Sacred in Opera Initiative and read previous editions of the SIO Newsletter.

Interested in submitting?

We welcome your submissions to the SIO Newsletter. Find out more about the newsletter, including areas of interest and Submission Guidelines:

bottom of page